Welcome
The Last Stand: Heroes At Ballona Wetlands
A Three-Part Film Series by Sheila Laffey
Photo courtesy of Johnathan Coffin https://www.flickr.com/photos/stonebird
A Three-Part Film Series by Sheila Laffey
Photo courtesy of Johnathan Coffin https://www.flickr.com/photos/stonebird
Click on the movie to watch.
1. The Struggle for the Ballona Wetlands (1999), 60 min.
2. The Last Stand: Update 2000, 60 min.
3. The Last Stan: Heroes at Ballona Wetlands (2004) 24 min.
The series includes three spirited films which examine the controversial land use struggle near Los Angeles International Airport related to the Playa Vista development which included the proposed DreamWorks' Studio until DreamWorks withdrew in 2004.
The series centers on the issues, politics and players involved in the debate over one of Southern California's remaining wetland ecosystems and one of Los Angeles' last open spaces. The film provides a stimulating forum for wetland issues, particularly in southern California where wetland losses have reached 95%, compared to 50% lost nationally.
The Ballona Wetlands drama includes scientists, environmentalists, development advocates, actors, filmmakers, authors, Native Americans, labor unionists and politicians set against the backdrop of Hollywood and a wetlands ecosystem. The film also shows the various functions of wetlands in a dynamic and entertaining way.
Dr. Joy Zedler, Aldo Leopold Professor of Restoration Ecology at the University of Wisconsin describes the various functions of wetlands which she refers to as "rainforests in miniature." Dr. Zedler is considered one of the foremost wetlands expert in the country. She is the former Director of the Pacific Estuarine Research Lab, San Diego State University and was the recipient of the National Wetlands Award (for science research) awarded by Environmental Protection Agency and Environmental Law Institute, May, 1997. Dr. Zedlar is the author of Wetlands Restoration and serves as a member of the Board of Directors of The Nature Conservancy.
The film concludes with examples of land preservation solutions at Bolsa Chica Wetlands at Huntington Beach, 35 acres at Fomosa Slew in San Diego, and 30 acres of Madrona Marsh in Torrance. It includes clips from a 1959 film which shows the beginning of development at Point Reyes National Seashore and information about its preservation as a National Seashore three years later.

Ed Asner narrates the film.
DIRECTORS: Todd Brunelle, Sheila Laffey
PRODUCER: Sheila Laffey
EDITOR: Lorraine Salk
ASSISTANT EDITOR: Mary Duprey
EXECUTIVE PRODUCERS: Sheila Laffey, Michael Tobia

Activists at theater with Brent Mazza, actor Ed Begley, Jr., Lola Terrell, Sheila Laffey before film screening

Protesters shine light on investors who wanted to bulldoze the fragile coastal freshwater lagoon.

Todd Brunelle and Sheila Laffey filming at Madrona Marsh in Torrance where 800 tons of concrete were removed to restore wetlands.

Activist Leslie Purcell above site of Native American burial grounds dug up at Playa Vista land

EWALA (Earth/Water/LA) walk to Ballona Wetlands. About half of the wetlands were built on, about half preserved. Issues continue. To date, lawsuits have saved what remains.

Frogs show up to save their homes.

Dr. Bernard (Bernie) Endres was an attorney and oil field gas migration expert based in California, recognized for his work in investigating oil and gas leaks, particularly in the Playa Vista/Ballona Wetlands areas
He has worked with environmental groups like the Grassroots Coalition on issues related to SoCalGas and Sempra Energy. He points to So Gal Gas, source of underground methane storage fie

Remains of Native Americans removed from their resting place by Playa Vista Project Developers. After being dug up they were stored in plastic buckets.

Visionary painting of restored wetlands before bulldozing by the Playa Vista Mega-development.

"The Mudslinging in the Wetlands," Lorenza Munoz and ‘Wetlands" More Promotion Than Documentary," James Bates, Los Angeles Times, April 24, 1999
"Business Writers Was Wrong Choice for ‘Wetlands’ Review", four letters to the editor, all supporting the film "Los Angeles Times," May 1, 1999
Counterpunch: Production Team Takes Issue with the Ballona Wetlands Stories," "Los Angeles Times," by filmmakers Sheila A. Laffey, Todd Brunelle, Lorraine Salk, Jay Elliot, May 10, 1999
"DreamJerks: Steven Spielberg and His Billionaire Partners Would Bulldoze E.T. to Get the Playa Vista Megadevelopment Built on L.A.’s last Surviving Wetlands. But Outraged Citizens May Topple These Giants," cover story, "New Times Los Angeles, June 3-9, 1999
Argonaut Newspaper, The Last Stand finalist in Ethos Film Festival Laemmle Monica
The Last Stand: Heroes at Ballona Wetlands - Santa Monica Daily Press (smdp.com)
Santa Monica Daily Press, Jack Neworth Nov. 10, 2023
https://smdp.com/2023/11/10/the-last-stand-heroes-at-ballona-wetlands/
‘The Last Stand,’ Teaches Importance of Ballona Wetlands," "Daily Bruin," newspaper of UCLA, April 16, 1999
by David King
"Wetlands Screening to Show Saturday," "Daily Trojan," Newspaper of USC, March 5, 1999, by Claire Luna
"Documenting the Battle Over the Ballona Wetlands," Culver City Chronicle, June 2, 1999, by Lawrence C. Ross, Jr.
"Documentary Film on Wetlands to be Shown Here Next Week," "Santa Monica Mirror," December 1-7, 1999
"A terrific, clear statement of the Ballona issue." Haskell Wexler, Oscar winning cinematographer ("Bound for Glory," "Who’s Afraid of Virginia Wolf?")
"From Walden to Wao Kele O Puna to Wetlands," chapter by Producer Sheila A. Laffey, Ph.D. in The Search forReality: The Art of Documentary Filmmaking, edited by Michael Tobias, Michael Wiese Productions, 1998 (available in bookstores or contact www.mwp.com or 818-379-8799)
Other coverage in:
Westside Life Magazine
Santa Monica Mirror
Santa Monica Mirror
The Video Project
South Coast Today
Photo at left by Jonathan Coffin
We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.